By Corey McEleney
During the Renaissance, poets justified the worth in their paintings at the foundation of the concept that the aim of poetry is to delight and tutor, that it has to be either pleasant and beneficial. whilst, a lot of those writers confronted the chance that the pleasures of literature should be in clash with the call for to be important and precious. interpreting the rhetoric of delight and the excitement of rhetoric in texts by way of William Shakespeare, Roger Ascham, Thomas Nashe, Edmund Spenser, and John Milton, McEleney explores the ambivalence those writers show towards literature’s strength for dead, frivolous self-importance.
Tracing that ambivalence ahead to the fashionable period, this e-book additionally exhibits how modern critics have recapitulated Renaissance humanist beliefs approximately aesthetic price. opposed to a longstanding culture that defensively advocates for the redemptive application of literature, Futile Pleasures either theorizes and plays the queer pleasures of futility. with no ever wasting sight of the prices of these pleasures, McEleney argues that fidgeting with futility will be a technique of relocating past the impasses that sleek humanists, like their early smooth opposite numbers, have constantly faced.
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Extra resources for Futile Pleasures: Early Modern Literature and the Limits of Utility
Futile Pleasures: Early Modern Literature and the Limits of Utility by Corey McEleney